Friday, 16 March 2012

my mornings in march!

so today is 16th  march 2012.
i have been doing my month of mornings for over two weeks now...
i feel it is going well and enjoy taking photographs each morning,
i have decided to document each day in my sketchbook by printing contact sheets of my edited images for each day!
i feel this works well but as i see them like this i know i wont be able to pick my finals from each day until i have done a full month as each images from each day is so different!
i think i may need to have a diary style sketchbook and a seperate one for research of other photographers and artist,
i have also decided to do a weekly review of my daily shoots to help me keep on top of my images and thoughts.

Wednesday, 29 February 2012

The Morning News Interview

A Year of Mornings

 Stephanie Congdon Barnes & Maria Alexandra Vettese
Read artist interview
photo
October 2
Interview by Rosecrans Baldwin
Stephanie Congdon Barnes and Maria Alexandra Vettese are the photographers behindA Year of Mornings, a blog-turned-book that documents a year’s daily exchange of photos—one picture taken each morning and swapped by email—between two friends. What makes the pictures remarkable is that Barnes and Vettese seem of one mind, or at least one art director. Though the original Year of Mornings blog is now offline, you can catch Barnes and Vettese in their new form: a year of evenings.



* * *


Some pairs of photos in the book just seem too unlikely to have appeared accidentally on the same day, rather than some art director stepping in and picking them to go together.

Maria: It is unreal, isn’t it? From the moment the project started we could see similarities in our visual language but it was really the viewers of the blog who showed us things we might not have seen. Through their comments we were led through the various connections they were making and it was extraordinary to be a part of it; it still is (with our evenings blog).Stephanie: I really do believe that when we want there to be connections between things, then we see them. That’s the whole basis of faith, right? That said, there were many times when the similarity between the photos felt really eerie to me. I think the assumption is often that Maria and I had a longtime emotional connection before we started the project, but, in reality, we barely knew each other. We do, I think, have a strong emotional connection now, one that was created in part by these photos.
How did you meet? 
Maria: We “met” each other through our art/craft blogs in early 2005. I went out to Portland, Ore. (where Stephanie lives) in the fall of 2005 and we had coffee/pastries for about 45 minutes. I could tell right away that I liked Stephanie so much, but, honestly, I couldn’t tell why. It was not until I started watching her progression online artistically and got to know her better that I knew why—she is so talented, so smart, quite humble, and I really admire her. From there Stephanie and I posted to Flickr very similar still-life photographs of our early morning scenes on the very same day (December 7, 2006). I thought it was so fantastic and was so energized by it I sent her an email, “what do you think about doing a mornings blog together?” She said yes and it was on from there.Stephanie: Maria was one of the first online friendships that I developed. I had a bit of a crush on her, really. I just loved her aesthetic, her taste, her spirit and generosity. Meeting her briefly that time really solidified those feelings, but I feel like this project could have still taken place even if we’d never met in person. It’s a relationship that played itself out through the sharing of work and images. I was incredibly flattered when she proposed the idea to do 3191. I never imagined that it would lead to a book. For me it was initially just a way to get to know Maria and my camera a little better.
Do you share a similar outlook on life? On mornings?
Stephanie: The details of our lives are really quite different. I have a husband and two young children. My mornings can be really chaotic and rushed. That said, I think our outlooks are really quite similar. I think we both have an appreciation for the beauty of the everyday and for simple domestic life. I think we notice and appreciate the details. We both consider ourselves morning people.Maria: I think we both share a love for the “do-over” quality that a new morning gives you, and I know we both love coffee and breakfast!
There aren’t many messy pictures here, or many showing messy lives outside the frame.
 Stephanie: Well, when I look through the book, I see plenty of piles of clothes, unmade beds, dirty dishes, spilled food, peeling paint, and left-behind toys and art projects. I do think that we treated these things with the same reverence as the pretty things, that we tried to see the beauty in everything. There is, of course, a lot that is not included—I have the privacy of my family to consider. For me, this project was not about documenting every facet of my morning routine, it was about capturing just one little memory each day. I do feel that anyone that has spent time at my home would say the photos are an accurate representation of daily life around here. Someone asked me recently where all the cereal boxes were. We don’t eat boxed cereal, but you will see a lot of spilled granola!Maria: Obviously with one shot of any given day you can’t capture the whole of it. But take 10/03, page 153, for example. On this day I remember feeling very sad, perhaps I was ill, I can’t remember. Of course you can’t see that in the shot, but I believe you can feel it. We made very few “rules” for our project and because of that we were able to come to each day with the openness of capturing whatever we found and felt like sharing—perhaps the rest of the story, what is outside of the frame, is up to the viewer to add.

Wednesday, 15 February 2012

artist research

after my tutorial with Delphine i had several more ideas and ways of looking at my work,
here i have researched the artist and photographers that Delphine suggested as well as some others that i found whilst carrying out my research:


http://www.thephotodiarist.com/



Photography: a cultural history

 By Mary Warner Marien p507


http://www.papercoffin.com/writing/articles/coerced.html


MICHAL RUBIN:     http://artnews.org/artist.php?i=322


http://www.thereisnothere.org/2012/02/lindsay-dye-photographs/




http://www.telegraph.co.uk/culture/culturepicturegalleries/7798531/James-White-new-paintings.html?image=3




http://www.annafox.co.uk/


http://www.paulgrahamarchive.com/possibility.html#a


marjolijn dijkman    http://www.marjolijndijkman.nl/







FMP final show

i have decided that for my final show this year i will use the series of images produced in my FMP, a month of mondays.
i will lay out my final pieces as a calendar, 31days of mornings means 31 prints in frames i am hoping to print at 6x8 if there is enough room at the show to allow for it.
i am going to start my search for frames and focus on narrowing down my images.

Saturday, 14 January 2012

Ideas!

i have been thinking more about my ideas and what i want to photograph, as i already know my outcome.
i had been coming up with the idea of text in my video clip:
photography: what do you see?     then i could include lots off different peoples eyes.
dates: monday-sunday?     i could take the same pictures on different days, (dont let life pass you bye)
months?   a photograph of each day in the month?
time?        time captions underneath the photograph or in between each slide?

500 days of summer

500 days of summer opening scene starts with the main actor and actress shown as children growing up, the reason i have chosen this movie in my research is that i like the way in which the images have been video/photographed. i like the variety of the close ups and long shots, with images of objects and people.

http://www.youtube.com/watch?v=RTP51-tfEHE&feature=related