Friday, 16 March 2012

my mornings in march!

so today is 16th  march 2012.
i have been doing my month of mornings for over two weeks now...
i feel it is going well and enjoy taking photographs each morning,
i have decided to document each day in my sketchbook by printing contact sheets of my edited images for each day!
i feel this works well but as i see them like this i know i wont be able to pick my finals from each day until i have done a full month as each images from each day is so different!
i think i may need to have a diary style sketchbook and a seperate one for research of other photographers and artist,
i have also decided to do a weekly review of my daily shoots to help me keep on top of my images and thoughts.

Wednesday, 29 February 2012

The Morning News Interview

A Year of Mornings

 Stephanie Congdon Barnes & Maria Alexandra Vettese
Read artist interview
photo
October 2
Interview by Rosecrans Baldwin
Stephanie Congdon Barnes and Maria Alexandra Vettese are the photographers behindA Year of Mornings, a blog-turned-book that documents a year’s daily exchange of photos—one picture taken each morning and swapped by email—between two friends. What makes the pictures remarkable is that Barnes and Vettese seem of one mind, or at least one art director. Though the original Year of Mornings blog is now offline, you can catch Barnes and Vettese in their new form: a year of evenings.



* * *


Some pairs of photos in the book just seem too unlikely to have appeared accidentally on the same day, rather than some art director stepping in and picking them to go together.

Maria: It is unreal, isn’t it? From the moment the project started we could see similarities in our visual language but it was really the viewers of the blog who showed us things we might not have seen. Through their comments we were led through the various connections they were making and it was extraordinary to be a part of it; it still is (with our evenings blog).Stephanie: I really do believe that when we want there to be connections between things, then we see them. That’s the whole basis of faith, right? That said, there were many times when the similarity between the photos felt really eerie to me. I think the assumption is often that Maria and I had a longtime emotional connection before we started the project, but, in reality, we barely knew each other. We do, I think, have a strong emotional connection now, one that was created in part by these photos.
How did you meet? 
Maria: We “met” each other through our art/craft blogs in early 2005. I went out to Portland, Ore. (where Stephanie lives) in the fall of 2005 and we had coffee/pastries for about 45 minutes. I could tell right away that I liked Stephanie so much, but, honestly, I couldn’t tell why. It was not until I started watching her progression online artistically and got to know her better that I knew why—she is so talented, so smart, quite humble, and I really admire her. From there Stephanie and I posted to Flickr very similar still-life photographs of our early morning scenes on the very same day (December 7, 2006). I thought it was so fantastic and was so energized by it I sent her an email, “what do you think about doing a mornings blog together?” She said yes and it was on from there.Stephanie: Maria was one of the first online friendships that I developed. I had a bit of a crush on her, really. I just loved her aesthetic, her taste, her spirit and generosity. Meeting her briefly that time really solidified those feelings, but I feel like this project could have still taken place even if we’d never met in person. It’s a relationship that played itself out through the sharing of work and images. I was incredibly flattered when she proposed the idea to do 3191. I never imagined that it would lead to a book. For me it was initially just a way to get to know Maria and my camera a little better.
Do you share a similar outlook on life? On mornings?
Stephanie: The details of our lives are really quite different. I have a husband and two young children. My mornings can be really chaotic and rushed. That said, I think our outlooks are really quite similar. I think we both have an appreciation for the beauty of the everyday and for simple domestic life. I think we notice and appreciate the details. We both consider ourselves morning people.Maria: I think we both share a love for the “do-over” quality that a new morning gives you, and I know we both love coffee and breakfast!
There aren’t many messy pictures here, or many showing messy lives outside the frame.
 Stephanie: Well, when I look through the book, I see plenty of piles of clothes, unmade beds, dirty dishes, spilled food, peeling paint, and left-behind toys and art projects. I do think that we treated these things with the same reverence as the pretty things, that we tried to see the beauty in everything. There is, of course, a lot that is not included—I have the privacy of my family to consider. For me, this project was not about documenting every facet of my morning routine, it was about capturing just one little memory each day. I do feel that anyone that has spent time at my home would say the photos are an accurate representation of daily life around here. Someone asked me recently where all the cereal boxes were. We don’t eat boxed cereal, but you will see a lot of spilled granola!Maria: Obviously with one shot of any given day you can’t capture the whole of it. But take 10/03, page 153, for example. On this day I remember feeling very sad, perhaps I was ill, I can’t remember. Of course you can’t see that in the shot, but I believe you can feel it. We made very few “rules” for our project and because of that we were able to come to each day with the openness of capturing whatever we found and felt like sharing—perhaps the rest of the story, what is outside of the frame, is up to the viewer to add.

Wednesday, 15 February 2012

artist research

after my tutorial with Delphine i had several more ideas and ways of looking at my work,
here i have researched the artist and photographers that Delphine suggested as well as some others that i found whilst carrying out my research:


http://www.thephotodiarist.com/



Photography: a cultural history

 By Mary Warner Marien p507


http://www.papercoffin.com/writing/articles/coerced.html


MICHAL RUBIN:     http://artnews.org/artist.php?i=322


http://www.thereisnothere.org/2012/02/lindsay-dye-photographs/




http://www.telegraph.co.uk/culture/culturepicturegalleries/7798531/James-White-new-paintings.html?image=3




http://www.annafox.co.uk/


http://www.paulgrahamarchive.com/possibility.html#a


marjolijn dijkman    http://www.marjolijndijkman.nl/







FMP final show

i have decided that for my final show this year i will use the series of images produced in my FMP, a month of mondays.
i will lay out my final pieces as a calendar, 31days of mornings means 31 prints in frames i am hoping to print at 6x8 if there is enough room at the show to allow for it.
i am going to start my search for frames and focus on narrowing down my images.

Saturday, 14 January 2012

Ideas!

i have been thinking more about my ideas and what i want to photograph, as i already know my outcome.
i had been coming up with the idea of text in my video clip:
photography: what do you see?     then i could include lots off different peoples eyes.
dates: monday-sunday?     i could take the same pictures on different days, (dont let life pass you bye)
months?   a photograph of each day in the month?
time?        time captions underneath the photograph or in between each slide?

500 days of summer

500 days of summer opening scene starts with the main actor and actress shown as children growing up, the reason i have chosen this movie in my research is that i like the way in which the images have been video/photographed. i like the variety of the close ups and long shots, with images of objects and people.

http://www.youtube.com/watch?v=RTP51-tfEHE&feature=related

Thursday, 5 January 2012

Making My Movie

So today i wanted to get on with attempting the new software of Imovie on the Mac's, as i searched for it on several Macs and couldnt find it i went to the technicians and the explained that the software in no longer free with the software upgrade for the new Macs, so i was faced with a slight problem as there is nothing on the Macs at university that are capable of creating a video clip. After disscussing this with the techinicians they then told me about Windows Movie Maker for the PC.
I tried this straight away and it was really easy to use, with a quick look at the tabs at the top of the page i soon found my way around the software, it allows me to enter selected pictures into the time line of the movie and choose how long i want to image to be displayed for, i knew i wanted it to be a quick clip and started with each image being shown for one second, but this was far to long and so i reduced it to 0.25 seconds.this then made the video appear how i wanted and then i was able to add in some sound that i had recorded, thias is when i faced yet another problem, the file type that my phone saves to is AMR this fil type is not supported by Movie Maker. i then had to see the technicians again to ask if they were able to download a converter, which they did but at first it didnt work, so they then contiued to find one that did, in the end they found me an online converter to use that would chang my AMR file to a MP3 file so that it was suitable to use in the Movie Maker.

for my first attempt and using photographs from a previous project i feel the movie i created gave me a better understanding of the software so i now know were to start when i next produce some images for my FMP.

Wednesday, 4 January 2012

test run.

Before i visit Amsterdam i plan on doing a test shoot in and around middlesbrough, taking snap shots photographs of things in my home, friends, people and transport on the streets ect.
having successfully completed the photographs i will then produce a short video using Imovie on the Macs. 

Amsterdam







John Lewis Music: TV Advert:
http://www.youtube.com/watch?v=SC07KCeVITs

2for1 Cruises
http://www.youtube.com/watch?v=_HmMDxDa9N8

Panasonic Lumiz
http://www.youtube.com/watch?v=bVgFZnMo5oQ&feature=related

Tate- the art of noises
http://www.tate.org.uk/tateetc/issue3/theartofnoise.htm

Wired
http://www.wired.co.uk/news/archive/2011-09/20/wellcome-trust-urban-seascape

Imovie

To create movies in iMovie, you must first import your video footage from your camera to your computer.
To use your video footage to make a movie, you must first create a video project
You build a movie project by adding video clips to it from your Event Library
After you’ve created a project and added video to it, you can embellish it in a number of ways with both audio and visual enhancements

Tutorial

Today i had my tutorial with Antony, it went really well and i was able to explain my ideas to photograph in Amsterdam and look more into documentary photography, and how i want to document my time there.
i explained where my initially ideas came from, the Olympus advert, other projects and travelling.

after showing Antony the video he gave me the idea of a video as my outcome, with sound just like the advert i had seen, so i am now thinking of recording sound in places where i take photographs or adding necessary music to play along side my short video.

i plan on researching how to make the short video with sound within the next week to get use to the software and how it works so i am able to produce my final successfully, possibly using Mac software Imovie.
http://www.harry-weber.com/

Paul Politis

http://www.paulpolitis.com/bwgallery/urban/